John Garcia, Morning Host
Jill Scott – “The Math”
“The Math” marks a powerful return for Jill Scott, arriving as part of her first album in 11 years. A multiple Grammy-winning singer and one of neo-soul’s most respected voices, Jill Scott does not have anything to prove. But on her newest album, “To Whom This May Concern,” she reminds you exactly why she is so celebrated. Over a smooth, laid-back groove, “The Math” breaks down life and love like an equation, weighing effort, respect and what is actually being given in return. By the time the song settles in, it leaves you thinking about your own equations. What you are giving, what you are getting and what you might need to change. After all this time, “Jilly from Philly” comes back not just sounding good, but making you feel something real.
James Blake – “Rest Of Your Life”
James Blake has built a reputation over the years, not just through his own records, but through standout features with names like Travis Scott, Kendrick Lamar and Beyoncé, of always adding that emotional depth you can’t quite replicate. The skill has earned him serious recognition, including a Grammy Award for his work as both a producer and artist. What makes “Rest Of Your Life” special is how it stands out the most on his newest album “Trying Times.” It lives on a relatively slow, introspective album, but this track feels like a moment of weightlessness and happiness. Make no mistake, this is “Rave Blake” at his finest.
Evan Ballew, Music Director
King Tuff – “Invisible Ink”
Vermont’s Kyle Thomas puts a modern twist on Hendrixian fuzz-tones and Brian Wilson’s sunshine pop sensibilities. On their seventh release, the band sounds tighter and more grounded than ever. The reflective tune “Invisible Ink” caps off a blistering trio of songs to open the record. Thomas is also known for his guitar work in Ty Segall’s backing band, The Muggers, and his sludgey side project with Dinosaur Jr.’s J Mascis behind the drum kit called Witch. This release marks King Tuff’s second on their own label, MUP, after releasing three albums under Sub Pop Records. For psychedelic rockers who are getting a little older.
Sluice – “Beadie”
I always give love to my hometown when I can. Originally formed in New York but now based in Durham, NC, Sluice brings a twang to alternative rock that sounds worn and well-lived in. Led by Justin Morris’s delicate songwriting, each tune paints a picture of familiar everyday life. Tracks over eight minutes fade into ambient soundscapes, slow-burning like a sunset over a treetopped horizon and finishing in a blaze of glory. After receiving critical acclaim in 2023 for their sophomore album, “Radial Gate,” Sluice’s latest release, “Companion,” is honest, humble and hopeful.
Zoe Curran, Digital Producer
Octo Octa – “Survival Groove”
The prodigy returns. Octo Octa’s (Maya Bouldry-Morrison) unapologetically queer fourth studio album, “Sigils for Survival,” is her first release in seven years. Reflecting on the decade since Bouldry-Morrison came out as transgender, Survival Groove gives us an initial taste of the album’s story. Octo Octa’s music has created immense space for change and resilience in my life, and her return marks the end of an ecstatic-dance drought.
Bob Kliphuis – “Crescendo of Love”
Bob is a builder. I asked for more pumping club tunes, and Bob Kliphuis delivered. The Dutch producer and radio founder has hit his stride with this striking set of releases on Houseum Records. No one is surprised I’ve fallen for yet another dreamy trance track, but it’s all in the details with this one; imagine textured ambience meeting romantic swells meeting rolling bass on the dancefloor. Listen closely, and you might even catch the seagulls.
