They say pressure makes diamonds. The same is true for artists. Some of the best songs and literary works came as a result of countering societal norms. Look at the Harlem Renaissance or the birth of hip-hop – artists like Langston Hughes in the early 20th century and N.W.A. in the 80s and 90s pushed back against the segregation and racism plaguing their communities. Protest singers like Bob Dylan and Joan Baez rejected establishment politics and denounced the war in Vietnam. Groups like Rage Against the Machine and Radiohead were outspoken in their critique of capitalism and consumer-driven popular music.
Today’s political climate gives an opportunity for writers to channel their disillusionment into art that’ll resonate with an already tired and frustrated audience. The output is cathartic for musicians and makes listeners feel like they’re not alone. That sentiment has always been present and we are in the midst of yet another surge. These are a few of my favorite tunes from bands young and old that reflect our world in 2025.
“Taxes” by Geese – Getting Killed – Partisan Records / Play It Again Sam
Only two things in this life are certain – death and taxes. On their forthcoming third album, “Getting Killed,” New York City-based Geese explores themes of tenderness and anger. Led by songwriter Cameron Winter, the album was recorded over the course of 10 days, creating a palpable sense of urgency. The chaotic and surreal music video briefly alludes to Francisco Goya’s painting of “Saturn Devouring His Son,” symbolizing the unchecked power of today’s world. Musically, the band sounds sure of themselves, putting out the kind of songs that make you want to write songs of your own.
“Hawk” by Algernon Cadwallader – Trying Not to Have a Thought – Saddle Creek
Emo band reunions are trending but I never expected to add new music from Algernon Cadwallader to KHOL’s library. Formed in 2005 in the suburbs of Philadelphia, Algernon carried the torch for emo music, bringing the Midwest sound to new audiences. Having laid dormant for nearly 13 years, Algernon is back on “Trying Not to Have a Thought” with their first original lineup since their debut in 2008. These punks may be a little older but their ethos haven’t changed a bit. Lead guitarist Joe Reinhart’s twinkly riffs defy conventional wisdom in rock music, while Peter Helmis’s scratchy vocals and plucky bass paint the picture of a band who loves what they do and refuses to let “the man” put them down.
“From” by Bon Iver – SABLE, fABLE – Jagjaguwar
Perhaps one of your favorite band’s favorite songwriters, Bon Iver’s patience and expert sensibilities are on full display. The unofficial Justin Vernon school of music has produced some of the hottest up-and-coming artists in pop music today like Mk.Gee and Dijon. The album heavily features both, as well as virtuosic keyboardist and arranger Jacob Collier, creating an Avengers lineup of young talent. Vernon’s falsetto is iconic and lies somewhere in the middle of analog and digital. The result is a sound that’s taking over pop music. Rhythmically driven, melodically engaging, intricate yet accessible, always pushing the envelope.
“Elderberry Wine” by Wednesday – Bleeds – Dead Oceans
The alt-country rebound is in full effect. Pedal steels and twangy guitars pair together and tug on our heartstrings just like they did when Hank Williams released music back in the 1950s. Wednesday’s sonic palette has developed over their previous three albums, moving away from shoegazy, slower songwriter towards a cleaner and more Americana-influenced sound. The familiar angst is still there, but the North Carolina band is embracing its roots. What was once shrugged off as a genre for a more conservative crowd, country music has grown in popularity with younger, more liberal ears. The themes of love and heartbreak, working class struggles, finding a sense of place and the desire to escape that place underscore the narratives of country music.
“I’m Not Ready For The Change” by Nation of Language – Dance Called Memory – Sup Pop
In the other corner, we’re experiencing yet another revival of nostalgic, 80s new wave and synth pop. It’s not unusual to yearn for the past: simpler times, cherished memories, and great music. The influence of bands like New Order and The Smiths remains obvious. Nation of Language’s minimalist aesthetic shines light on the negative space, creating room for the music to breathe while still sounding warm and inviting. Alex Mackay’s mellow basslines lay the foundation for Aidan Noell’s modular synth textures and Ian Richard Devaney’s dreamy vocals and guitar tones. On the Nation of Language’s fourth album, longtime listeners will find another dimension to the band’s sound, while new fans will discover a shimmery, lush, and deeply human release that’ll stand the test of time. Oh, and they’re playing in Jackson on Oct. 3.
Listen to KHOL’s full playlist below.
